Part of UNSQ’s Rediscovered Classics line, this collage was features images from Shutterstock: all I like (ring); Kanea (hand); Sunward Art (hieroglyphs); cindy xiao (lace).

Part of UNSQ’s Rediscovered Classics line, this collage was features images from the Metropolitan Museum of Art (statue) and Shutterstock: puha dorin (star); reptiles4all (snakes); wk1003mike (bow)

Part of UNSQ’s Rediscovered Classics line, this collage features images from Shutterstock: Victor Moussa (guns); Ray49 (seeds); Valentina Razumova (branches); Elena Schweitzer (peony); zawafoto (hydrangea).

Part of UNSQ’s Rediscovered Classics line, this collage features images from Shutterstock: Evdokimov Maxim (man); Ryan Janssens (wave); Maxagar (birds)

Part of UNSQ’s Rediscovered Classics Line, this collage features images from Shutterstock: Venus Kaewyoo (vines); Khoroshunova Olga (beach); senee sriyota (flowers); supasart meekumrai (wings).

This cover was for an unpublished title in the Rediscovered Classics line, but I still like it. A minor character in the story mentions eating 75 or so peaches for charity.

Part of UNSQ’s Rediscovered Classics line, this collage features images from Shutterstock: Art789 (firefly); Thammanoon Khamchalee (firefly light); Voraorn Ratanakorn (moon); Smile joy (gold filigree).

Part of UNSQ’s Rediscovered Classics Line, this collage features images from Shutterstock: A_Lesik (roses); Morozova Oxana (pearls); Subbotina Anna (botanicals).

Part of UNSQ’s Rediscovered Classics line, this collage features images Simon Maris, (Isabella, 1906, Rijksmuseum) and Pixiejoo/Shutterstock.com (zodiac).

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook prints in 4/C with foil accents. For this series, I hired the wondrous Yehrin Tong, who is known for her intricate pattern work. For these covers, we wanted the gaps in the patterns to have as much meaning as the patterns and foil objects themselves.

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook features an illustration by Yehrin Tong, printing in 4/C with foil accents. The main story is a cheery tale about an undertaker who drinks, mostly from a wicker-wrapped winebottle. Wicker is hot right now, did you know?

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook features an illustration by Yehrin Tong, printing in 4/C with foil accents. Designed as a companion to Poems of Hate, it mirrors its layout, but with an upbeat spin.

This 64-page chapbook features an illustration by Yehrin Tong, printing in 4/C with foil accents. Designed as a companion to Poems of Love, just to cover all the bases.

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents. There is an owl who lives in my yard and I think Yehrin really captured its creepy, looming energy.

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook features an illustration by the wondrous Yehrin Tong, printing in 4/C with foil accents.

This 64-page chapbook features an illustration by Dave Kendall, and is printed in three colors: black, silver metallic ink, and neon green ink. Dave is a dream to work with and squeezed this in between several large paintings he was working on for Magic: the Gathering, which made me feel cool just by association.

This 64-page chapbook features an illustration by Dave Kendall, and is printed in three colors: black, silver metallic ink, and neon yellow ink.

This 64-page chapbook features an illustration by Dave Kendall, and is printed in three colors: black, silver metallic ink, and neon red ink.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

I’d like to note that while I did design this series, the main thing I contributed to it was to hire Malika, who is a goddess, and basically sent 3 to 5 gorgeous, print-ready covers for each book that we then had to choose from—which was probably the hardest thing about making these books.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate. Malika intentionally created all the Austen covers in the series to compliment each other (just in case there’s ever a box set).

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate. LOOK AT THIS! Malika is incredible.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate. I love how Malika brought this into the modern-day with her American Psycho-style take on this book.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate. If I were forced to pick a favorite from this line, this might be it—and not just because I have a print of it hanging on the wall in my office.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate. Like many of these covers, you need to unwrap the entire jacket to really appreciate Malika’s genius—on this one, the shadow of the woman turns into that of a charging bull.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Part of UNSQ’s Signature Classics Hardcover line, this cover features an illustration by the inimitable Malika Favre, and prints in 5/C with a soft-touch laminate.

Art by Malika Favre

Art by Malika Favre

Art by Malika Favre

Art by Malika Favre. I mean, come ON.

This creepy thriller takes place behind the scenes of a ballet that features a life-sized wind-up doll, twin ballerinas, a cobbler, and an obsessed stalker. What more do you need? Photo by Anton Vierietin.

Art by Malika Favre

Art by Malika Favre. Wrap jacket, you gotta see the whole thing.

This is the story of a blind female detective being stalked by an ex-rival. It’s full of twisty turns and I thought the folding cane—which she uses throughout the story—was a perfect device to help illustrate all the angles of the storyline.

This super creepy cover was illustrated by my fave Eric Nyquist, who along with the authors, also created endsheets and a back cover illustration that contain a secret code that I will not divulge, you’ll just have to work it out on your own. 4/C with a spot uv just on the eye, and the R-A-T of the title.

Cover photo from Offset; effect from Envato